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 The skeptical, melancholy eyes of John Cusack anchor Martian Child, a sweet but not cloying story of a widowed man who adopts a misfit kid who believes he's from another planet. David Gordon (Cusack) is a successful science-fiction author--which is perhaps what leads a children's counselor (Sophie Okonedo, Dirty Pretty Things) to pair him with a would-be extra-terrestrial named Dennis (Bobby Coleman). Reluctantly at first, David tries to communicate with Dennis by fostering his belief--but as they grow attached to each other, the administrators of the organization that put them together sees this playing along as a failure to be a proper parent and threatens to take Dennis away. The first two-thirds or so of Martian Child are marvelous; though the scenario could be saccharine, the script and performances are full of details and complexities that make it feel genuine and affecting. The last third, unfortunately, seems to be the result of studio meddling, for the themes and emotions become awkwardly overstated. But what will stay with you are the moments of refreshing honesty and tender trust from the earlier part of the movie; the ending, clumsy and tone-deaf though it is, doesn't wipe away the delicate earlier interplay of David and Dennis. Also featuring Oliver Platt (Funny Bones), Amanda Peet (Igby Goes Down), and Anjelica Huston (Prizzi's Honor). --Bret Fetzer
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 Music has long been considered a universal language with the power to bring people together, but can the simple act of playing music possibly unite a child with a mother and father who live in two different cities and don't even know of the child's existence? Having shared one extraordinary night, classical cellist Lyla Novacek (Keri Russell) and Irish singer and songwriter Louis Connelly (Jonathan Rhys Meyers) were a union meant to be that was torn apart by circumstances and a protective father (William Sadler). After eleven years, both Lyla and Louis have given up performing only to find that they are unhappy and searching for a sense of fulfillment that will ultimately lead both artists back to music and performing. Evan (Freddie Highmore) is an 11-year old orphan who's grown up hearing music in everything around him and is convinced that his real parents want him and will find him with the help of music. Driven by his innate musical genius and a powerful compulsion to perform before the world, Evan runs away from the orphanage and is initially taken in by a street man known as Wizard (Robin Williams) who encourages his musical talent and renames him August Rush and, later, by a local priest who arranges for August to receive a Julliard education. August is a child prodigy who excels beyond even the wildest expectations and earns the opportunity of a lifetime--a chance to perform in front of an enormous audience in New York's Central Park. The question is; can his performance possibly reach the audience August really craves? While elements of this film are completely unbelievable (take August's instant prowess on the guitar or his immediate and sophisticated grasp of musical notation and musical theory), the message of the universality of music and the notion that "the music is all around us, all you have to do is listen" is both compelling and powerful. --Tami Horiuchi
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